入圍塔林電影節(jié)影評人之選競賽?! asterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)
氺是冰的眼淚
不畏惡勢力
隱心提交快樂
未說出口的像你
貓撲風(fēng)鈴
飛蕾。
只相信風(fēng)
愿喜
夏天吃了春天
森嶼麋鹿
月亮短詩
涼城
淺唱離歌
一紙枕書
這世界的角落里都是秘密